![]() Of course, the best solution is to capture sounds with this in mind so you don’t end up with too much bass in the first place. The key is to start with a plan for which instruments will sit in each range and focus on the most important frequencies to bring out these qualities. Mixing music is about clearing up space for each sound to sit, but it can feel uncomfortable to filter lots of low end if you listen to your sounds in solo.īut if you listen in the context of the mix, the truth is you can use a high-pass filter to clear out excessive lows on many elements that don’t need to occupy this range. ![]() One of the main mistakes beginner and intermediate mixers make has to do with this issue. Let’s start with why it’s so hard to get your low end to sit right in a mix.įirst off, there are lots of sources in any DAW session that have energy in the low frequencies.ĭrums, synth patches, acoustic instruments and even vocals contain a spectrum of frequencies with some energy concentrated in the low end. In this article I’ll break down the basics and suggest five strategies to mix better bass in your tracks. Pro mixes almost always have powerful low end that moves air and gives the song a solid foundation.īut what does it take to make bass sounds fit well in a mix? What are the main techniques and how do they apply to different types of bass? Mixing bass is one of the most difficult parts of producing a balanced track.
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